#Absynth 5 review Patch#
This does of course vary depending on the preset. To try to enable as much sound shaping as possible using the assigned macro faders, I’ve decided to mainly use two channels. Third focus are sounds of various category.įeedback has played an important role while designing The Abyss. Second focus are long sounds, be it drones, soundscapes, obscured bells and sounds with long release. Main focus are tempo-synced sounds of form and un-form, all the way from thunderous, distorted and noisy to ultra short clicks and glitches. There are roughly 600 sculpted waveforms each tailored for the specific module.
The sounds of The Abyss contains completely new sound design discoveries and is also built from the now vast Leap Into The Void collection of specially tailored waveforms and envelopes. You could think of it as a new phase derived and progressed from the Enchantment volumes. Pushed towards immeasurable amounts of audiovisual colors, everything in The Abyss is organic, static and alive at the same time, where time is non-existent. The Abyss (Latin Abyssus bottomless) is an infinite Leap Into The Void of primeval rituals and imposing widths.
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